The Short Story of Japanese Kino Enigmatic Life – Part 2

Wave, painted by Japanese, Hokusai.

You might read the first part of this post: The Short Story of Japanese Kino Enigmatic Life – Part 1.

Then, because barely talk, Kino knew customer name is Kamita after two months in touch. The mysterious stray cat then to stay with Kino, gave him such unconditional comfort.

Kamita is combine of two words, “kami” means god and “ta” means field.

One day, a lot of snakes come to the bar. Kamita suggested Kino to go far away a while for good.

As mentioned by author mysteriously, “Kamita’s words had a strange persuasive power that went beyond logic. Kino didn’t doubt him. He stuffed some clothes and toiletries into a medium-sized shoulder bag, the same bag he’d used on business trips,” Murakami (2015). 

Goldfinch and cherry tree, painted by Hokusai.

Moreover, the author was born in Kyoto, the former imperial capital of Japan in 1949.

As described by Anderson (2011) that author had a jazz club for ten years. He did daily operation of club by clearing away, making burger, listening to music and blending drinks until midnight.

It is understandable that author’s experienced could reflect in his fictions. The writer story style is most in ordinary setting.

The short story of “Kino” is developed line by line with plenty of mood there. The messages are mixed: simple, sad, supernatural, ambiguity, soothing and haunting at the same time.

The sentences are beautiful, full of imagination and surprise at some point. I like to read the story. 

References

Anderson, S. (2011). The Fierce Imagination of Haruki Murakami. The New York Times Magazine. Retrieved from New Yorker.

Murakami, H. 2015. Kino. The New Yorker, February 23 & March 2, 2015 Issue. Retrieved from New Yorker.